Bachelorarbeit, 2016
60 Seiten, Note: 1,3
This text is a comprehensive analysis of internet memes, specifically image macros, using a linguistic approach. It explores the application of frame semantics to understand the structure and meaning of these multimodal communication forms.
The key themes include the definition and scope of "meme" in online communication; linguistic analysis of image macros as multimodal texts; communicative functions and forms of memes; the role of humor (incongruity) in memetic communication; and the application of frame semantics to analyze image macros.
The thesis aims to establish internet memes, particularly image macros, as valuable objects for linguistic study. It seeks to demonstrate the efficacy of frame semantics in describing the encyclopedic knowledge needed to interpret image macros.
The analysis utilizes several linguistic theories, including Hartmut Stöckl's theories on language-image-links, Christa Dürscheid's properties of communication forms, and Alexander Brock's model of humor (based on incongruity). The core theoretical framework, however, is frame semantics.
The text traces the origin and meaning of "meme," highlighting its evolution and diverse applications in internet communication. It focuses on image macros as a specific type of meme and justifies their treatment as analyzable texts using established linguistic theories.
The text explores the humor in image macros through the lens of incongruity, using Alexander Brock's model to analyze the interplay of domains, expectation, and incongruity in generating humor. The "Good Guy Greg" meme is used as a case study.
The text provides a detailed explanation of frame semantics, defining key terms like frame, slot, filler, and default value. It then applies this framework to analyze image macros, identifying relevant frames and slots to understand their structure and meaning. The analysis specifically addresses the challenge of defining the recipient in a multimodal context.
The text includes summaries for each chapter, outlining the specific content and contributions of each section to the overall analysis. These summaries cover introductory remarks, the definition of "meme," the analysis of image macros as language-image-texts, the communication forms of memes, the role of humor, the theoretical framework of frame semantics, and finally, the application of frame semantics to image macro analysis.
The text is structured in a clear and organized manner, including a table of contents, objectives and key themes, chapter summaries, and keywords. This allows for easy navigation and comprehension of the presented analysis.
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