Bachelorarbeit, 2016
59 Seiten, Note: 1,0
This work analyzes sex and gender issues within the Glam Rock genre. It aims to explore the multifaceted ways in which gender roles and identities were challenged, performed, and ultimately, constructed through the visual and musical aesthetics of Glam Rock.
Introduction: This introductory chapter sets the stage for the analysis of sex and gender in Glam Rock, providing a brief overview of the genre's history and its significance within the larger context of rock music. It introduces the key questions and themes that will be explored throughout the book, highlighting the importance of analyzing the visual and performative aspects of Glam Rock in understanding its complex relationship with gender.
Theoretical background: Glam Trouble: This chapter lays the theoretical groundwork for the analysis by examining existing scholarly discourse on Glam Rock and its engagement with gender. It establishes a critical framework for interpreting the visual and performative aspects of the genre, drawing upon relevant theories of gender performance, queer theory, and visual culture studies. This chapter serves as a foundation for the subsequent chapters, which delve into specific examples and case studies.
All Dolled Up: Image that Matters: This chapter focuses on the crucial role of image and visual presentation in Glam Rock. It analyzes how artists utilized costume, makeup, and styling to create androgynous and gender-bending personas. Specific examples of artists and their iconic looks are discussed, exploring the deliberate strategies employed to challenge conventional gender norms. The chapter highlights the impact of these visual choices on audience reception and interpretation of the music.
Ballrooms of Mars: Glam Aliens and Rock 'n' Roll Fairies: This chapter explores the thematic elements of Glam Rock that further complicated gender norms. It analyzes the use of fantasy, mythology, and science fiction imagery to create alternative gender identities and narratives. The chapter examines how these themes were reflected in the music, lyrics, and visual presentation of the bands, illustrating how Glam Rock constructed a space for exploring gender fluidity and challenging societal expectations.
Looks that Kill: Male and Female Objectification in Glam Rock: This chapter delves into the complexities of objectification in Glam Rock, examining how both male and female performers were presented as objects of desire. The analysis considers the interplay of power dynamics, the use of sexualized imagery, and the ways in which these presentations contributed to the genre’s overall aesthetic and cultural impact. It explores both the celebratory and problematic aspects of this objectification.
Glam rock, gender, sexuality, performance, androgyny, objectification, visual culture, costume, makeup, image, identity, rock music, counterculture.
This preview focuses on the analysis of sex and gender issues within the Glam Rock genre. It explores how gender roles and identities were challenged, performed, and constructed through Glam Rock's visual and musical aesthetics.
Key themes include the blurring of gender boundaries in Glam Rock's visual presentation, the objectification of both male and female performers, the use of androgynous imagery, the role of costume and makeup in shaping gender performance, and the cultural context surrounding Glam Rock's exploration of gender.
The preview includes a table of contents, objectives and key themes, chapter summaries, and keywords. It provides a comprehensive overview of the main arguments and findings of the larger work.
This chapter establishes the theoretical framework for the analysis, examining existing scholarly discourse on Glam Rock and gender. It draws upon theories of gender performance, queer theory, and visual culture studies to provide a critical lens for interpreting the genre.
This chapter analyzes the importance of visual presentation in Glam Rock, focusing on how artists used costume, makeup, and styling to create androgynous and gender-bending personas. It examines specific examples of artists and their iconic looks.
This chapter explores the use of fantasy, mythology, and science fiction imagery in Glam Rock to create alternative gender identities and narratives. It examines how these themes were reflected in the music, lyrics, and visual presentation of the bands.
This chapter delves into the complexities of objectification in Glam Rock, examining how both male and female performers were presented as objects of desire. It considers the interplay of power dynamics and the use of sexualized imagery.
Key words include: Glam rock, gender, sexuality, performance, androgyny, objectification, visual culture, costume, makeup, image, identity, rock music, counterculture.
The overall aim is to provide a detailed analysis of the complex relationship between Glam Rock and gender, exploring how the genre challenged, reinforced, and ultimately constructed notions of sex and gender through its visual and musical expressions.
This preview is intended for an academic audience interested in gender studies, music studies, and cultural studies, particularly those interested in the intersection of gender, music, and visual culture within the context of Glam Rock.
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