Bachelorarbeit, 2017
24 Seiten, Note: N/A
This dissertation aims to examine the use and effect of ideology in film, using the war film "Jarhead" as a case study. The research explores the historical origins and meaning of the concept of ideology, investigating its role in society through the lens of "Jarhead." The dissertation investigates both implicit and explicit ideological roles within the film, drawing primarily from the writings of Marx, Engels, and Gramsci, while incorporating other relevant sources.
The Abstract provides a concise overview of the dissertation's scope, focusing on the examination of ideology in the film "Jarhead" and utilizing the works of Marx, Engels, and Gramsci as theoretical frameworks. The Introduction outlines the research objectives, explores the historical background of ideology, and provides a brief overview of the dissertation's structure.
The key themes and concepts explored in this dissertation include: ideology, film, war, "Jarhead," Marx, Engels, Gramsci, qualitative research, content analysis, ideological themes, implicit and explicit ideology, film effectiveness, societal impact.
The dissertation establishes a definition of ideology based on the sociological works of Karl Marx, Friedrich Engels, and Antonio Gramsci, examining how power and belief systems are portrayed in the film.
The analysis identifies four main ideological themes within the film, looking at both implicit and explicit messages regarding war, violence, and the military experience.
Their historical sketch of the evolution of ideology provides a framework for understanding how film can reflect or reinforce the dominant ideas of a society's power structure.
Gramsci's concept of cultural hegemony is used to explore how the military ideology in "Jarhead" becomes accepted as "common sense" by the soldiers and the audience.
The study uses qualitative research methods, specifically content analysis, based on previously available sociological information and a detailed study of the film itself.
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