Bachelorarbeit, 2017
28 Seiten, Note: A
Chapter 1: Introduction
Chapter 2: Literature Review
Chapter 3: Research Methodology
Chapter 4: Discussion and Analysis
Conclusion
This research aims to analyze the concepts of homelessness and liminality in Jamil Ahmad's novel The Wandering Falcon, using Victor Turner's theoretical framework to juxtapose tribal and urban communities and reveal the complexities of border-zone existence.
Chapter 4: Discussion and Analysis
Jamil Ahmad’s The Wandering Falcon become a testament of his “ability to combine a clear affection and respect for this world of tribal discipline with a clear eyed look at its harshness” (The Observer). The socio-political environment of the novel displays the turmoil the people, residing on the border of Pakistan, Afghanistan and Iran, experienced since the inception of administrative borders. The novel seems to be Jamil Ahmad’s attempt to apologize for the wrongs committed to the beautiful landscape by the government. Through his novel Ahmad attempts to depict the people, doomed to wander by the political supremacy, in their border-line world. The liminal existences of these forgotten people, considered to be barbaric and uncivilized, is depicted, by Ahmad, with integrity, principle and honor, the qualities with the so called civilized world attaches with itself and with such an approach the land, previously associated with bloodshed and bombs become humane and civilized, sometimes more than the world outside the tribal world.
The novel is the depiction of this mountainous world from an insider’s eye. The novel is comprised to nine stories connected with each other through a recurring character Tor Baz.“The simplicity of the narration gives a fable-like effect to the storytelling. Its elegiac voice mourns the lot of the characters yet refuses to judge the laws that trap them” (The Independent). Within these nine stories all the characters create a liminal space for themselves. Ahmad encourages his readers to shun all sorts of misconception about the tribal world. In one of his interviews he said: “Brutality exists. But how the tribe deal with it is clean and clear. There is a clean dividing line between right and wrong…and each one of us has a tribal gene inside us”. He encourages the readers to relate themselves to the characters in the novel as all of us has a “tribal gene inside us”. He urges the world outside Baluchistan to re-evaluate its perception about the Baluchi tribal people or culture.
Chapter 1: Introduction: This chapter provides the socio-political context of the 1970s in Pakistan and outlines the study's aim to explore homelessness and liminal experiences in the border-zone.
Chapter 2: Literature Review: This section reviews existing critical perspectives on Jamil Ahmad's work and establishes the theoretical framework based on Victor Turner’s concepts of liminality and structure.
Chapter 3: Research Methodology: This chapter describes the qualitative nature of the research and the primary and secondary sources used to analyze the novel's thematic concerns.
Chapter 4: Discussion and Analysis: This chapter analyzes the novel’s characters and settings, focusing on how the liminal existence of the tribal people contrasts with the structured, often corrupt, world of the government.
Conclusion: This final section summarizes how the novel exposes the flaws of civilization through the lens of liminality and advocates for a re-evaluation of the rights of those living in the border-zones.
Liminality, The Wandering Falcon, Jamil Ahmad, Homelessness, Border-zone, Communitas, Structure, Tribalism, Post-colonialism, Victor Turner, Tor Baz, Baluchistan, Identity, Survival, Narrative.
The paper focuses on the analysis of homelessness and liminality in Jamil Ahmad's novel The Wandering Falcon, specifically examining how characters navigate their existence in the Baluchi border-zones.
Central themes include the clash between government-imposed structures and tribal communitas, the concept of borders as contact zones rather than barriers, and the search for identity and belonging.
The research seeks to analyze how the concept of liminality serves as a coping mechanism for dislocated people and uses it to reveal the "façade of civilization" in urban societal structures.
The research is qualitative, utilizing Victor Turner’s theory of liminality and his concept of the "Ritual Process" (Structure and Anti-structure) as the primary theoretical framework for literary analysis.
The body covers a detailed analysis of the protagonist Tor Baz, the portrayal of female characters, the critique of government administrative borders, and the symbolic significance of tribal law versus modern law.
Key terms include Liminality, Post-colonialism, Communitas, Border-zone, Identity, and Tribalism.
The novel depicts the government as a corrupt, manipulative, and intrusive force that complicates the lives of the tribal people, who are portrayed as more humane and honorable despite being labeled uncivilized.
Tor Baz serves as the recurring, thematic protagonist who embodies the "liminal persona." His survival and lack of fixed tribal affiliation make him a universal figure representing those who live between worlds.
Liminal space is analyzed as an "in-between" state where traditional hierarchies and social statuses are blurred or reversed, allowing characters to define their own existence outside of government control.
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