Masterarbeit, 2017
46 Seiten, Note: 1,3
This thesis examines the different levels of deception employed in Arthur Conan Doyle’s The Hound of the Baskervilles, exploring how these levels contribute to the novel’s suspense and intrigue. It analyzes the ways in which the author, the narrator, and even Sherlock Holmes himself mislead the reader, ultimately revealing the true nature of the “supernatural” threat.
The introductory chapter provides a brief overview of the “Sherlock Holmes phenomenon” in Doyle’s time and its continuing relevance. It also offers background information on the rise of detective-mystery stories and the societal factors that influenced the emergence of Holmes as a literary figure.
Chapter 2 delves into the three distinct levels of deception present in The Hound of the Baskervilles. It explores how the author, through his narrative choices, leads the reader to believe in the existence of a supernatural hound. The chapter also analyzes the narrator's role in deceiving the reader and the way in which Sherlock Holmes's methods of investigation often involve secrecy and deliberate misdirection.
Chapter 3 examines the concept of reading pleasure and how it relates to the reader's involvement in detective fiction. It discusses the “rules” of the Golden Age of detective fiction, including the importance of honesty with the reader, and the challenges of solving Conan Doyle's mysteries.
The key themes and concepts explored in this thesis include: deception in fiction, detective-mystery, Gothic horror, supernatural elements, the role of the narrator, Sherlock Holmes's methods of investigation, reading pleasure, reader expectations, and the Golden Age of detective fiction.
The levels include the author's narrative game (superstition vs. science), Dr. Watson's narrating style, and the explicit plot-level deception by both Holmes and Stapleton.
Stapleton acts as an impious fraud, disguising himself, his wife, and his hound to create a supernatural hoax for personal gain.
Yes, Holmes deceives Watson and others by working in secrecy to confront danger, though his intentions are protective rather than evil.
Watson's narrative style limits the reader's knowledge to his own observations, which are often incomplete, thus heightening the mystery.
While "rules" of the Golden Age suggest honesty with the reader, this analysis shows it is often impossible to arrive at fixed solutions using only provided clues.
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