Masterarbeit, 2018
75 Seiten, Note: 1,0
1 Introduction
1.1 Background
1.2 Research Purpose
1.3 Significance of and Justification for the Study
1.4 Research Question and Objective
1.5 Structure of the Dissertation
2 Literature Review
2.1 Overview
2.2 The Nature and Scope of Advertising
2.2.1 Definition of Advertising
2.2.2 The Role of Advertising within Marketing
2.3 Storytelling in the Context of Advertising
2.3.1 Definition of Storytelling
2.3.2 Why Is Storytelling Used in Advertising?
2.3.3 Positive Effects of Storytelling
2.4 The Elements of Storytelling
2.4.1 The Essence of a Good Story
2.4.2 The Basic Plots
2.4.3 Archetypes
2.4.4 Fictional Stories vs. Real Stories
2.4.5 Further Elements
2.4.5.1 High and Low Arousal Emotions
2.4.5.2 Surprise and Joy
2.4.5.3 Music
2.5 Conceptual Framework
2.6 Conclusion
3 Methodology and Research Design
3.1 Overview
3.2 Research Philosophy
3.3 Research Approach
3.4 Methodological Choice
3.5 Research Strategy
3.6 Data Collection Technique
3.7 Data Analysis Procedure
3.8 Access and Ethical Issues
3.9 Reliability of Qualitative Data
3.10 Conclusion
4 Presentation and Discussion of the Findings
4.1 Overview
4.2 Presentation of Findings
4.2.1 The Essence of a Good Story
4.2.2 The Basic Plots
4.2.3 Archetypes
4.2.4 Fictional Stories vs. Real Stories
4.2.5 Further Elements
4.2.5.1 High and Low Arousal Emotions
4.2.5.2 Surprise and Joy
4.2.5.3 Music
4.3 Discussion and Conclusion
4.3.1 The Essence of a Good Story
4.3.2 The Basic Plots
4.3.3 Archetypes
4.3.4 Fictional Stories vs. Real Stories
4.3.5 Further Elements
4.3.5.1 High and Low Arousal Emotions
4.3.5.2 Surprise and Joy
4.3.5.3 Music
5 Concluding Thoughts on the Contribution of this Research, its Limitations, and Suggestions for Further Research
5.1 Implications of the Findings for the Research Questions
5.2 Contributions and Limitations of the Research
5.3 Recommendations for Practice
5.4 Recommendations for Future Research
5.5 Final Conclusion and Reflections
This dissertation explores the critical role of storytelling as a success factor in video advertising by identifying and empirically analyzing the specific narrative elements used in highly successful campaigns.
2.3.3 Positive Effects of Storytelling
Stories and storytelling are a fundamental means by which humans structure and therefore make sense of our lives (Shankar et al. 2001). According to Schiffrin (1996: 167 cited in Shankar et al. 2001), “the stories that we tell about our own and others’ lives are a pervasive form of text through which we construct, interpret and share experience: we dream in narrative, remember, anticipate, hope, despair, believe, plan, revise […] and love by narrative.”
The positive effects of storytelling on the consumer behaviour have been widely researched, according to Schank (1999 cited in Woodside 2010), the human memory is story-based, and information is indexed, stored, and retrieved in the form of stories. The author further explains that stories are useful because they come with many touchpoints such as location, decisions, actions, and quandaries regarding the lives of the viewers, and result in awareness and emotional connection in their minds. The more touchpoints the viewer has within a story, the more places the story can reside in the human memory and the likelier the viewer will be to remember and emotionally relate to that story (Schank 1999 cited in Woodside 2010). Thus, stories are easier for the viewer to memorise: the viewer relates to the touchpoints and is emotionally affected by stories.
1 Introduction: This chapter introduces the background of the research, the research purpose, and justifies the study, while presenting the central research question and objectives.
2 Literature Review: This chapter covers relevant theories regarding advertising, the context of storytelling, and identifies key storytelling elements to form a conceptual framework.
3 Methodology and Research Design: This chapter justifies the interpretivist research philosophy and the qualitative case study approach used to collect and analyze data from YouTube advertisements.
4 Presentation and Discussion of the Findings: This chapter presents the empirical data from the 30 analyzed video advertisements and discusses these findings in relation to existing storytelling literature.
5 Concluding Thoughts on the Contribution of this Research, its Limitations, and Suggestions for Further Research: This final chapter synthesizes the research findings, offers practical recommendations for marketers, and acknowledges the study's limitations while proposing paths for future exploration.
storytelling, narratives, video advertisements, YouTube Ads Leaderboard, storytelling elements, online advertising, rich media, consumer behaviour, brand management, qualitative analysis, archetypes, plot structures, emotions, consumer engagement, ad avoidance
The research focuses on investigating storytelling as a critical success factor in video advertisements and empirically identifying the elements that contribute to the success of highly viewed videos.
The study examines the nature of advertising, the role of storytelling in a marketing context, and specific narrative components such as plot structures, archetypes, emotions, and music.
The primary research question is: "What elements of storytelling theory are deployed in the most viewed video advertisements?"
The author employed an interpretivist research philosophy using a qualitative case study strategy to analyze a sample of the 30 most viewed video advertisements on the YouTube Ads Leaderboard.
The main body covers a comprehensive literature review, the methodological justification for the study, a detailed presentation of findings from the video analysis, and a discussion of these results.
Key terms include storytelling, narratives, video advertisements, YouTube Ads Leaderboard, storytelling elements, and online advertising.
Elements were considered "vital" if they were present in more than 50% of the analyzed successful video advertisements.
The author used a quasi-judicial approach, where findings and the research process were presented to and cross-examined by an expert panel.
The Hero archetype was found to be the most predominant among the 12 analyzed archetypes, indicating that marketers frequently use this narrative structure to cast the customer as the hero.
No, the findings reveal that a majority of the successful advertisements used fictional stories, suggesting that authenticity in storytelling is more important than the literal truth of the narrative.
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