Bachelorarbeit, 2016
89 Seiten, Note: A-
Medien / Kommunikation - Public Relations, Werbung, Marketing, Social Media
This thesis aims to investigate the influence of social media on the graffiti movement, specifically focusing on Portuguese train bombing. The author utilizes diverse research methods, including interviews with graffiti writers and authorities, analysis of social media platforms, and a review of relevant literature.
The main keywords and focus topics of this thesis include: graffiti, train bombing, social media, communication, visibility, originality, street art, surveillance, public perception, and the future of graffiti.
Social media has expanded communication and visibility for graffiti, but it has also led to a loss of originality, increased surveillance, and a more negative public perception.
Train bombing is an illegal form of graffiti performed on trains and subway cars, which serves as the primary case study for this thesis in Portugal.
Yes, while it allows for global style sharing, it also leads to the "vulgarization" of the movement and makes it easier for authorities to track and monitor writers.
The thesis examines how the boundaries between the two are blurring and how the popularity of legal street art impacts the perception of illegal graffiti.
The author conducted interviews with graffiti writers (like RISKO, Alien, and Mig) as well as representatives from the police (PSP) and railway authorities (CP).
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