Magisterarbeit, 2005
88 Seiten, Note: 1,5
0. Introduction: In the Middle of Everything
1. Definitions
1.1 Ethnicity and Ethnic Identity
1.2 The Tradition of Ethnic Writing
1.2.1 Historiographic Metafiction
1.2.2 Middlesex as an Ethnic Novel
1.3 The Concept of Hybridity
2. The Silk Road
2.1 The Road of Self-Transformation
2.2 The Silkworm Image
3. The Melting Pot
3.1. The Concept of the Melting Pot
3.2 Henry Ford’s English-Language Melting Pot
3.3 Lefty and Desdemona: Melted into Amerikanidhes?
4. Blacks vs. Whites
4.1 The Nation of Islam
4.1.1 Naming
4.1.2 Fard Muhammad: The Master of Self-Invention
4.1.3 Tricknology
4.2 Black-White Relations
4.2.1 The Zebra Room
4.2.2 The Race Riots of 1967
4.2.3 The Second American Revolution
5. Ethnic Group Belonging
5.1 Middlesex
5.2 Milton: Pursuing the American Dream
5.3 Chapter Eleven: With a Knack for Self-Transformation
6. Ethnic Food
6.1 The Mediterranean Diet
6.2 Hercules Hot Dogs
7. In-Between: Cal/Callie
7.1 Ethnic Identity at Baker & Inglis
7.2 The Charm Bracelets: Everyone is Ethnic
7.3 Hermaphrodite: The Middle Way
8. Conclusion
This thesis examines the representation of ethnicity and ethnic identity in Jeffrey Eugenides’ novel Middlesex, arguing that these aspects are central to understanding the protagonist's hybrid identity and the broader theme of gender identity. The work explores how the novel deconstructs traditional notions of ethnicity, assimilation, and the "American Dream" through a postmodern lens.
0. Introduction: In the Middle of Everything
Middlesex is many genres in one: family saga, coming-of-age novel, science fiction, immigrant essay, love story. Like its narrator, Cal/Callie Stephanides, the novel has many faces and yet remains one coherent story. Starting with the grandparents’ incestuous relationship in Asia Minor in the 1920s, the narrator follows the passage of a mutated gene that finally manifests itself in him/her and makes him/her what he/she is: a hermaphrodite, born and raised as the girl Calliope, who discovers his/her hybrid sex in puberty and decides to live as a man after that, on the basis of his/her genetically dominant male characteristics. Since Middlesex can be classified as a postmodern novel in many aspects, the straightforward and coherent storyline seems contradictory.
Therefore, Eugenides chronicles the fortune of a Greek immigrant family over three generations in old epic tradition. The story is enriched with postmodern elements through its linking of personal experiences and historical events of the time: the immigrants’ arrival on Ellis Island in the 1920s; the Great Depression; the 1967 Race Riots in Detroit and the separation of Cyprus in 1974, to name but a few. Instead of showing the events in a conventional way, Eugenides questions the common perception of history through his representation. This is accompanied by a poetic narrative style, Greek mythology and a most extraordinary storyteller who, at the time of narrating the events that made him/her what he/she is, lives as a middle-aged man in Berlin.
0. Introduction: In the Middle of Everything: Summarizes the novel's generic diversity and introduces the core theme of the hybrid narrator and the questioning of historical representation.
1. Definitions: Establishes the theoretical framework by defining ethnicity, ethnic literature, historiographic metafiction, and the concept of hybridity.
2. The Silk Road: Analyzes the immigration journey of the grandparents and the emergence of self-transformation and self-fashioning as central motifs.
3. The Melting Pot: Investigates the concept of the melting pot as portrayed in both historical discourse and Eugenides' novel, specifically through the Ford English School.
4. Blacks vs. Whites: Examines racial tensions and the Nation of Islam's influence on the Stephanides family and the social landscape of Detroit.
5. Ethnic Group Belonging: Explores the importance of ethnic group affiliation and the disparate attempts of different family members to pursue the American Dream.
6. Ethnic Food: Discusses the role of diet as a marker of ethnic identity and a tool for asserting cultural pride or status in professional settings.
7. In-Between: Cal/Callie: Focuses on the protagonist's realization of ethnicity and gender, linking bodily metamorphosis to identity formation.
8. Conclusion: Synthesizes the analysis, reiterating the novel's promotion of a hybrid and unfixed identity over binary oppositions.
Middlesex, Jeffrey Eugenides, Ethnicity, Ethnic Identity, Hybridity, Self-Transformation, Postmodernism, Historiographic Metafiction, Melting Pot, Immigrant Novel, Gender Identity, Detroit, Race Riots, Nation of Islam, Americanness
This work explores how Jeffrey Eugenides' novel Middlesex interprets ethnicity and ethnic identity, demonstrating their critical relationship to the book's central theme of gender identity.
The core themes include the intersection of ethnic and gender identity, the impact of historical events on individual life stories, the process of self-invention, and the validity of the "melting pot" ideal.
The goal is to demonstrate that ethnicity is not merely a marginal aspect of the novel, but a foundational element that defines the protagonist’s identity and the Stephanides family’s development.
The analysis utilizes literary theory, specifically focusing on historiographic metafiction, postmodern concepts of identity, and sociological studies on ethnicity by authors like Werner Sollors and Richard D. Alba.
The main body follows a chronological and thematic structure, analyzing the migration narrative, the failure of the "melting pot," racial conflicts in Detroit, and the protagonist's struggle with ethnic and gender-based self-definition.
Key terms include hybridity, self-fashioning, historiographic metafiction, the American Dream, and ethnic group belonging.
The paper argues that the myth of Hermaphroditus, son of Hermes and Aphrodite, provides a direct mythological link between the protagonist's physical condition and their Greek heritage, challenging arguments that the two themes are unrelated.
Tricknology is discussed as a rhetorical strategy within the Nation of Islam to reverse societal hierarchies, providing a psychological mechanism for the black population in Detroit to assert self-worth against white supremacy.
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