Masterarbeit, 2014
64 Seiten, Note: 2,3
Medien / Kommunikation - Public Relations, Werbung, Marketing, Social Media
This dissertation aims to investigate the portrayal of women in French and Russian Elle magazine advertisements, specifically examining whether women are portrayed as sexual objects and if there are cultural differences in this portrayal. The study utilizes content analysis to compare advertisements from May to September 2014.
Chapter 1: Introduction: This chapter introduces the dissertation's objective: to investigate the portrayal of women in French and Russian Elle magazine advertisements, focusing on the use of women as sexual objects and potential cultural variations. The study will use content analysis of advertisements from May to September 2014, considering factors like body display, facial expressions, nudity, and gender roles within the advertisements. Goffman's gender categories (licensed withdrawal, relative size, function ranking, feminine touch, ritualization of subordination) and additional categories (body display, self-assertiveness/independence) will guide the analysis to assess the degree of sexuality and gender inequality portrayed.
Chapter 2: Literature Review: This chapter reviews existing literature on gender roles in magazine advertising across different historical periods, exploring how these portrayals have evolved. It also delves into relevant cultural theories, specifically Hofstede's cultural dimensions and Hall's high vs. low context model, to understand the cultural context of French and Russian advertising. The chapter examines communication models and international advertising strategies (standardization vs. adaptation), laying the groundwork for a comparative analysis of French and Russian advertising practices. The chapter concludes by summarizing the key insights from the literature, providing a framework for the research.
Chapter 3: Research methodology: This chapter details the research approach, strategy, and methodology employed in the study. It outlines the research questions and hypotheses, explains the sampling process, and describes how data was collected from French and Russian editions of Elle magazine. The chapter addresses the validity and reliability of the findings and acknowledges potential limitations of the study. The specific process of coding the advertisements to categorize the variables is also explained here.
Chapter 4: Analysis and discussion of advertisements: This chapter presents the analysis of the collected advertisements using Goffman's gender categories and additional variables. It examines the prevalence of specific indicators such as licensed withdrawal, relative size, function ranking, feminine touch, ritualization of subordination, body display, and self-assertiveness/independence in both French and Russian advertisements. The analysis will compare and contrast the findings across both countries, exploring the extent to which advertisements utilize sexual appeal and portray women in stereotypical gender roles. The discussion section will interpret the findings in light of the literature review and explore the implications of the results.
Women, advertising, gender roles, content analysis, France, Russia, Elle magazine, sexual objectification, cultural differences, Goffman's gender categories, body display, international advertising, marketing management.
This dissertation investigates the portrayal of women in French and Russian Elle magazine advertisements. It specifically examines whether women are portrayed as sexual objects and explores potential cultural differences in this portrayal between the two countries.
The study analyzes advertisements from the May to September 2014 editions of Elle magazine in both France and Russia.
The research employs content analysis. Advertisements are coded and categorized based on specific variables to assess the portrayal of women.
The study utilizes Goffman's gender categories (licensed withdrawal, relative size, function ranking, feminine touch, ritualization of subordination) and additional categories (body display, self-assertiveness/independence) to analyze the advertisements. Additionally, relevant cultural theories, such as Hofstede's cultural dimensions and Hall's high vs. low context model, are incorporated to understand the cultural context of French and Russian advertising.
The key variables analyzed include body display, facial expressions, nudity, gender roles, licensed withdrawal, relative size, function ranking, feminine touch, ritualization of subordination, and self-assertiveness/independence.
Chapter 1 introduces the dissertation's objective and outlines the research questions. It explains the methodology and the theoretical framework used in the study.
Chapter 2 reviews existing literature on gender roles in magazine advertising, exploring their historical evolution. It also delves into cultural theories relevant to understanding the context of French and Russian advertising, examining communication models and international advertising strategies.
Chapter 3 details the research approach, including the sampling process, data collection methods, and the coding process used to categorize the advertisements. It also addresses the validity and reliability of the findings and acknowledges potential limitations.
Chapter 4 presents the analysis of the collected advertisements using Goffman's gender categories and additional variables. It compares and contrasts the findings across both countries, exploring the extent to which advertisements utilize sexual appeal and portray women in stereotypical gender roles. The discussion interprets the findings in light of the literature review.
The key findings are presented in Chapter 4 and compare the portrayal of women in French and Russian Elle magazine advertisements, assessing the frequency and nature of sexual objectification and stereotypical gender roles across both cultures.
Keywords include: Women, advertising, gender roles, content analysis, France, Russia, Elle magazine, sexual objectification, cultural differences, Goffman's gender categories, body display, international advertising, marketing management.
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