Bachelorarbeit, 2013
36 Seiten, Note: 2,7
The thesis aims to show how intertextuality has an essential impact on the novel's interpretation and meaning. It will proceed progressively from a general level to a specific analysis of the novel, Flaubert's Parrot. The term 'intertextuality', its history and development, and the theory it designates will be defined, as will the specific terminology and its usage for literary studies.
The Introduction sets the stage for the thesis, presenting the context of Julian Barnes's work and specifically focusing on his novel Flaubert's Parrot. The chapter discusses the novel's experimental style, its controversial classification, and the motivation for this analysis. It highlights the importance of intertextual devices in interpreting the novel's meaning.
Chapter 2 explores the theory of intertextuality, its historical development, and its definition. The chapter clarifies the concept of intertextuality, drawing from the work of Julia Kristeva, Ferdinand de Saussure, Mikhail Bakhtin, and Gérard Genette.
Chapter 3 presents the application of intertextuality theory in literary studies, focusing on the work of Ulrich Broich and Manfred Pfister. It examines the qualitative and quantitative criteria they developed to analyze intertextual relations in literature.
Chapter 4 examines the intertextuality present in Flaubert's Parrot by Julian Barnes. It explores the novel's experimental style, its connection to other works, and how it embodies the intertextual criteria established in previous chapters.
Chapter 5 dives deep into the intertextuality between Flaubert's Parrot and Flaubert's written remains. This includes exploring the novel's genre as fictional metabiography and how it serves as a basis for understanding the intertextual connections. It also discusses the blurred boundaries between fact and fiction in the novel and how they contribute to the intertextual meaning.
Chapter 6 analyzes the intertextuality between Flaubert's Parrot and Gustave Flaubert's works, specifically focusing on Madame Bovary. This includes examining the numerous references to the novel and their impact on the reader's understanding of the characters and themes.
This thesis explores intertextuality, fictional metabiography, postmodernism, and the impact of Gustave Flaubert's works, particularly Madame Bovary, on Julian Barnes's novel Flaubert's Parrot. It examines how these elements intertwine to create a complex and multifaceted narrative that challenges the boundaries between fact and fiction.
The novel is a postmodern blend of fiction, biography, and literary criticism, following a doctor's obsession with finding the original stuffed parrot that inspired Gustave Flaubert.
Intertextuality refers to the complex relationships between texts, where a novel references, incorporates, or dialogues with other literary works and historical documents.
Pfister's criteria help determine the intensity of intertextual references based on aspects like referentiality, communicativity, autoreflexivity, and structurality.
The thesis analyzes how Barnes uses numerous references to Flaubert's "Madame Bovary" to mirror characters' lives and explore themes of dissatisfaction and escape.
It is a biography about writing a biography (meta), which uses fictional elements to question the possibility of ever truly knowing a historical subject like Flaubert.
The thesis draws on theories from Julia Kristeva, Mikhail Bakhtin, Gérard Genette, Ulrich Broich, and Manfred Pfister.
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