Magisterarbeit, 2005
100 Seiten, Note: 2,7
Introduction
The Changing Role of Women
1 Women Between 1860 and 1890
2 The New Woman at the Turn of the Century
3 The Flapper in the 1920s
Women in Gilman's Theoretical Writings
1 'Herstory' and Feminine Characteristics
2 Critique on Contemporary Women
3 The Ideal Future Woman
Utopia
1 Definition of Utopia
2 Definition of Pragmatopia
3 Gilman's Literary Aim
Women in Gilman's Short Stories
1 "and therefore they are leaving it" (W 140)
.1 "Making a Change" (1911)
.2 "A Garden of Babies" (1909)
2 "Every human being needs a home" (W 298)
.1 "Martha's Mother" (1910)
.2 "Forsythe & Forsythe" (1913)
3 "the whole country is budding into women's clubs" (W 166)
.1 "Three Thanksgivings" (1909)
.2 "Mrs. Hines' Money" (1913)
4 "women [...] come to their share of this fluent social intercourse" (W 295)
.1 "Aunt Mary's Pie Plant" (1908)
.2 "Bee Wise" (1913)
Women in Gilman's Novels
1 Pragmatopias
.1 The Crux (1911)
.2 What Diantha Did (1910)
2 Utopias
.1 Moving the Mountain (1911)
.2 Herland (1915)
Conclusion
This work examines the intersection of feminist theory and utopian visions in the writings of Charlotte Perkins Gilman, focusing on how she addressed the constraints placed upon women by the patriarchal social structure of the early 20th century. The central research question explores how Gilman utilizes her theoretical works, short stories, and novels to advocate for women's economic independence and the professionalization of domestic labor as a means to achieve broader societal progress.
2.1. 'Herstory' and Feminine Characteristics
Gilman's demand for women's economic independence and the therefore necessary radical changes is based on her quite debatable concept of an innate feminine nature. However, as Mary A. Hill plausibly explains, "while claims to female nurturant superiority were ultimately dysfunctional, they were nonetheless, historically, a viable response to women's need for expanded decision-making power. A vital struggle for political autonomy lay beneath the mother-worshipping proclamations" (45). "Whether tactically or ideologically, [Gilman] seems to have understood that women might necessarily, if temporarily, expand their power by celebrating differences" (46), she adds.
What these differences are and what both sexes have in common, Gilman clarifies in Women and Economics and especially in the later following The Man-Made World. She starts from the presupposition that life consists of activities for either self- or race-preservation. The former are understood as the processes concerning the maintenance of the individual existence and common to both sexes because both have the same organs, purposes and courses of action. The latter contribute to procreation and thus are marked as distinctively female or male (see W 51/52). She differentiates in turn between primary and secondary features of sex-distinction. The primary characteristics include the sexual organs and the functions of reproduction (see W 40). The secondary distinctions "consist in all those differences in organ and function, in look and action, in habit, manner, method, occupation, behavior, which distinguish men from women" (W 40/41), she says. To them Gilman puts down the corresponding complementary natures and functions she ascribes to the two genders.
Introduction: Provides an overview of Gilman's life and the historical context of her work, highlighting her synthesis of feminist and socialist ideas.
The Changing Role of Women: Analyzes the transition from Victorian domestic ideals to the emergence of the "New Woman" and the Flapper in the 1920s.
Women in Gilman's Theoretical Writings: Discusses the foundational arguments of her theory, including her critique of sex-based roles and the necessity of economic autonomy.
Utopia: Defines the literary concepts of "utopia" and "pragmatopia" as they relate to Gilman's specific project of social reform.
Women in Gilman's Short Stories: Examines selected narratives that demonstrate how realistic structural changes can resolve typical female dilemmas.
Women in Gilman's Novels: Compares her major fictional works, distinguishing between her pragmatopian and utopian depictions of female characters.
Conclusion: Synthesizes the central arguments regarding Gilman's vision of an improved society based on the professionalization of domestic labor.
Charlotte Perkins Gilman, feminism, utopian literature, pragmatopia, economic independence, social motherhood, domestic labor, sexuo-economic relation, New Woman, socialism, evolution, gender roles, humanization, reform, motherhood.
This work explores how Charlotte Perkins Gilman's fictional and theoretical writings work together to propose a radical restructuring of society, centered on the economic liberation of women.
Key themes include the critique of the traditional domestic sphere, the socio-economic nature of gender discrimination, the concept of "social motherhood," and the transition from individual struggle to collective social progress.
The author aims to show that Gilman’s work is not merely theoretical but functional; she uses literature as a "purposeful" tool to visualize how society can be reformed through the professionalization of domestic work.
Gilman heavily relies on an evolutionary framework, incorporating ideas from Social Darwinism and Marxist theory to interpret the historical and biological roots of women's subjection.
The main body provides a detailed analysis of Gilman’s theory and then applies these concepts to her short stories and novels, evaluating how she presents real-world scenarios of change.
Major keywords include socialized domesticity, evolutionary feminism, economic agency, New Woman, and utopian architecture.
In this context, pragmatopia refers to a "realizable utopia" where Gilman depicts gradual, structural social changes within an existing capitalist framework, rather than an idealized, distant future.
The New Woman represents Gilman's ideal: an individual who possesses both professional competence and financial independence, enabling her to participate in society while still fulfilling a refined, non-restrictive version of motherhood.
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