Bachelorarbeit, 2019
30 Seiten, Note: 2,3
1. Introduction
2. Feminist Theories
2.1 Comparison Marriage
2.2 Comparison Education/ Career
2.3 Comparison Domesticity/ Motherhood
3. The Bell Jar
3.1 Role models
3.2 Fake Identities
3.3 Relation to Men and Sexuality
3.4 Motherhood
4. The Symbol of the Fig-Tree
4.1 Apparent opportunities for women in the 1950´s
5. Conclusion
This thesis examines the representation of female oppression in 1950s America through an analysis of Sylvia Plath’s novel The Bell Jar, contextualized by the feminist theories of Margaret Fuller and Betty Friedan. The study explores how societal expectations, traditional gender roles, and the patriarchal structure contribute to the protagonist's identity crisis and mental health struggles.
The Symbol of the Fig-Tree
As mentioned before, Plath´s heroine is not able to choose a certain way of life, only seeing the opportunities she would miss by choosing one way of living. The fig-tree symbolizes Esther´s choices in life as well as her inability to decide between them, in a manner of speaking to climb up a branch of the tree and to pick a particular fruit. When Esther is on her date with Constantin at the UN-building she has a vision of her life branching out like a green fig-tree (Plath 81). She imagines that each fig represents a different set of opportunities:
One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above there figs were many more figs I couldn´t quite make out.” (Plath 81)
As her description of the figs make clear, the problem is not that she lacks choices bur rather her “lack of identity” that is responsible for her inability to pick any of these figs (Holbrook 77). Since she is not sure who she is and who she wants to be it is impossible for her to come to a decision. What made it particularly difficult for her is the fact that if she makes her decision in favor of one fig, she will lose all the others:
I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn´t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to winkle and go black, and, one by one, they plopped to the ground at my feet. (Plath 81)
1. Introduction: This chapter outlines the thesis's purpose, which is to analyze the oppressive systems of the 1950s in America through the lens of feminist theories and Sylvia Plath’s novel.
2. Feminist Theories: This section compares the ideas of Margaret Fuller and Betty Friedan, focusing on how their critiques of marriage, education, and domesticity provide a framework for understanding female oppression.
3. The Bell Jar: This chapter investigates how the protagonist, Esther Greenwood, experiences the patriarchal structures of her time and struggles to find her identity amidst conflicting societal expectations.
4. The Symbol of the Fig-Tree: This chapter explores the fig-tree as a central metaphor for the protagonist’s inability to choose a single path in life due to her fear of losing other potential futures.
5. Conclusion: The concluding chapter synthesizes the main findings, emphasizing that Plath’s novel serves as a powerful critique of the 1950s patriarchal system and the necessity for women to define their own identities.
Sylvia Plath, The Bell Jar, Feminism, Patriarchal System, Gender Roles, Identity Crisis, Margaret Fuller, Betty Friedan, 1950s America, Domesticity, Mental Illness, Female Oppression, Judith Butler, Performativity, Social Construction.
This thesis explores the theme of female oppression in 1950s America, specifically examining how Sylvia Plath's novel The Bell Jar reflects the restrictive gender roles and patriarchal expectations of that era.
The work utilizes the feminist theories of Margaret Fuller ("Woman in the nineteenth century") and Betty Friedan ("Feminine Mystique") to analyze the protagonist's social environment.
The objective is to examine how female authors present their views of a gender-restrictive era and how Plath’s protagonist, Esther, struggles to navigate the implicit rules of a patriarchal society.
The thesis employs a comparative literary analysis, utilizing primary source text from Plath's novel and comparing it with key feminist theoretical texts, supported by secondary literary criticism.
The main body examines role models, the invention of fake identities, the protagonist's relationship to men and sexuality, and the symbolic significance of the fig-tree and the bell jar.
Key terms include feminism, patriarchal system, gender performance, identity, 1950s, and domesticity.
The fig-tree is interpreted as a representation of Esther's many potential life paths and her crippling inability to choose one for fear of losing all others, leading to a paralysis of identity.
The analysis treats the protagonist's mental illness as a direct consequence of her struggle to conform to socially constructed female ideals that contradict her own personality.
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