Masterarbeit, 2019
121 Seiten, Note: 1,3
This work aims to explore the experiences of Jamaican Dancehall street dancers, particularly those living in the diaspora, and to analyze the complex ways in which they negotiate and resist dominant power structures through their dance and cultural practices.
The first chapter establishes the framework for the study, introducing the author's personal journey and the theoretical lens through which she will analyze the Dancehall scene. Chapter 2 delves deeper into the methodological approach, examining the diasporic experience of blackness, silenced narratives, and the concept of resistance within the Caribbean context.
Chapter 3 explores the significance of Dancehall street parties as spaces for Black queer expression and resistance. The author examines the spatial dynamics of these events and how they operate as sites of both creative expression and social critique. Chapter 4 continues this exploration by focusing on the experiences of diasporic Dancehall dancers in New York, analyzing their struggles to create a sense of home outside of Jamaica.
Chapter 5 investigates the concept of "vernacular love" within the Dancehall community, focusing on transnational and transactional relationships. The author examines the complexities of these relationships and the ways in which they reflect the economic and social realities of the Dancehall scene. Chapter 6 explores the digital landscape of Dancehall through the lens of Instagram, analyzing how the platform functions as a visual economy of bodies and words. The chapter examines the ways in which dancers utilize Instagram to archive their realities, conflate temporalities, and assert their identities.
This work explores the concepts of resistance, diasporic experience, postcoloniality, Jamaican Dancehall, Black queer spatialities, body politics, vernacular culture, digital territoriality, Instagram, and transnational relationships.
The book explores Jamaican Dancehall as a form of cultural resistance, focusing on body politics, black identity, and the diasporic experience.
They are characterized as "Black queer spatialities" and "cosmos of energies" where ritualistic architectures and strategies of survival are created.
Instagram serves as a "visual economy of bodies and words," functioning as a digital territory for archiving realities and expressing vernacular poetry of resistance.
It refers to the process of creating a sense of "home outside of home" for Jamaicans living in cities like New York, using cultural production to navigate racism and displacement.
The text analyzes Dancehall as a response to the "postcolonial malaise" in Jamaica, using the body as a site to challenge silenced narratives and colonial legacies.
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