Masterarbeit, 2016
143 Seiten
This project aims to analyze the use of satire in the poems of Sóbowálé Ṣówándé and Bùnmi Ayélàágbé. The study explores the socio-political contexts reflected in their work and examines the various satirical techniques employed. The research draws upon theoretical frameworks from sociology of literature and Marxist criticism to understand the underlying social commentary present in the poems.
CHAPTER ONE: GENERAL INTRODUCTION: This introductory chapter sets the stage for the entire research project. It provides the necessary background information, including a statement of the problem, aims, objectives, scope, methodology, and significance of the study. Crucially, it also offers historical context on both Sóbowálé Ṣówándé and Bùnmi Ayélàágbé, establishing their importance within the broader context of Yorùbá poetry and setting the scene for the deeper analysis of their satirical works to follow in subsequent chapters. The chapter’s overall goal is to clearly define the parameters of the research and justify its academic merit.
CHAPTER TWO: THEORETICAL FRAMEWORK AND LITERATURE REVIEW: This chapter lays the groundwork for the analysis by establishing the theoretical lens through which the poems will be examined. It explores relevant theoretical frameworks, including sociology of literature and Marxist criticism, providing a contextual understanding of how social forces and power dynamics influence literary production and interpretation. The chapter extensively defines satire, traces its origins in both Western and Yorùbá traditions, and categorizes different types of satire. A review of existing literature on satire, specifically within the context of Yorùbá poetry, is also presented. The chapter concludes by elaborating on various satirical devices and their functions, creating a comprehensive foundation for the subsequent detailed analysis of the poems.
CHAPTER THREE: SOCIO-POLITICAL SATIRE: This chapter delves into the core of the research, analyzing the socio-political themes present in the poems of Sóbowálé Ṣówándé and Bùnmi Ayélàágbé. The chapter examines how these poets utilize satire to comment on marriage, divorce, and other relevant socio-political issues within Yorùbá society. By exploring specific examples from the poems, the chapter demonstrates how satirical techniques are employed to expose social injustices, critique power structures, and promote social change. The analysis goes beyond simply identifying satirical elements; it investigates their deeper meaning and impact within the specific social and cultural context.
Yorùbá poetry, satire, socio-political commentary, Sóbowálé Ṣówándé, Bùnmi Ayélàágbé, Àrùngbè, Marxist criticism, sociology of literature, social critique, literary techniques, African literature.
This research project analyzes the use of satire in the poems of Sóbowálé Ṣówándé and Bùnmi Ayélàágbé, focusing on the socio-political contexts reflected in their work and the satirical techniques employed. It explores the nature and function of satire within Yorùbá poetry and examines the relationship between satire and the Àrùngbè poetic genre.
The analysis draws upon theoretical frameworks from sociology of literature and Marxist criticism to understand how social forces and power dynamics influence the poems' creation and interpretation.
Key themes include the nature and function of satire in Yorùbá poetry; the socio-political themes explored through satire in the selected poems; the satirical techniques used by the poets; the relationship between satire and the Àrùngbè genre; and a comparative analysis of the poets' satirical approaches.
The research is structured into three chapters. Chapter One provides a general introduction, including background information, aims, objectives, and methodology. Chapter Two establishes the theoretical framework and reviews existing literature on satire, particularly within Yorùbá poetry. Chapter Three delves into the core analysis, examining the socio-political satire in the poems, focusing on themes such as marriage and divorce.
The research explores various satirical devices, including ridicule, jokes, sarcasm, lampoons, and jests, examining how these are used to convey social commentary and critique.
The research investigates the relationship between satire and the Àrùngbè poetic genre, analyzing how elements of this genre contribute to the satirical effect in the poems of Ṣówándé and Ayélàágbé.
The research provides historical background on both Sóbowálé Ṣówándé and Bùnmi Ayélàágbé, placing their work within the broader context of Yorùbá poetry and highlighting their significance.
The research aims to demonstrate how the poets utilize satire to comment on socio-political issues within Yorùbá society, expose social injustices, critique power structures, and promote social change through their poetic works.
Keywords include Yorùbá poetry, satire, socio-political commentary, Sóbowálé Ṣówándé, Bùnmi Ayélàágbé, Àrùngbè, Marxist criticism, sociology of literature, social critique, literary techniques, and African literature.
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