Bachelorarbeit, 2017
44 Seiten, Note: 85.0%
This study examines the representation of self and existence in the works of Jeanette Winterson. It investigates how she challenges the authenticity of reality and encourages readers to construct their own self-identities through a fictional lens, ultimately proposing a philosophy of self-actualization. The study explores how this philosophy manifests in Winterson's various works, including novels, memoirs, and a fitness guide.
The main keywords and focus topics of this study are: Jeanette Winterson, postmodernism, self-identity, fiction, reality, gender, feminism, love, self-actualization, narrative devices, "The Death of the Author," memoir, "Oranges Are Not the Only Fruit," "Boating for Beginners," "Fit for the Future." These terms encapsulate the primary themes and concepts explored in the analysis of Winterson's works.
Winterson challenges the authenticity of reality by systematically blending fact and fiction, encouraging readers to see reality as a construct that can be manipulated.
The study explores Winterson's work in light of Barthes' "The Death of the Author," suggesting her texts empower the reader to create their own personal meaning.
The analysis argues that her memoir is as fictive as her novels, subverting the traditional memoir form to emphasize the subjective nature of self-identity.
Winterson privileges love as the ultimate philosophical means to achieve self-actualization, where lovers define themselves through their shared narrative.
Her works embody a feminist agenda, using narrative devices to challenge gender norms and encourage both physical and sexual liberation.
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