Bachelorarbeit, 2006
41 Seiten, Note: 2,0
1. Preface
2. Myths And Legends
2.1. The Sword Excalibur
2.2. The Quest For The Holy Grail
2.3. Avalon, The Lost Isle
2.4. Tintagel And Glastonbury
3. The Role Of Women
3.1. Love And Adultery
3.2. Subtle Power
3.3. Guinevere
4. Magical Friends And Foes
4.1. Enchanting Ladies
4.3. Merlin, The Wizard
5. Movie Adaptations and Their Role-Models
5.1. King Arthur (2004)
5.2. First Knight (1995)
5.3. Merlin (1998)
5. Conclusion
6. Bibliography
This thesis examines the enduring fascination with the Arthurian legends, specifically focusing on the evolution of key symbols like Excalibur and the Holy Grail, the complex social and romantic roles of female characters, and the development of the wizard Merlin's figure across literature and cinema.
2.1. The Sword Excalibur
Arthur’s sword Excalibur has undergone a certain development throughout the different stories, not unlike the Holy Grail, as we will see in the next chapter.
The name Geoffrey of Monmouth uses for King Arthur’s sword is Caliburn, which was then later modified to Excalibur by Robert Wace in his Roman de Brut and it has kept the name ever since. As to where Monmouth got the idea for the name from is probably either from the Latin word for steel, chalibs, or from earlier Celtic stories. There, in Culhwch and Olwen, Arthur’s sword is called Caledvwlch, which derived from the old Irish word Caladbolg, meaning ‘flashing sword’. If Monmouth created ‘Caliburn’ from ‘Caledvwlch’, the pedigree of Excalibur may indeed reach back as far as the early Welsh stories from the Mabinogion (Phillips/Keatman, 67), which is a collection of old Welsh stories, taken from the Red Book of Hergest and the White Book of Rhydderch. Malory later states that the name Excalibur “is as much to say as Cut-steel” (Malory 1972, 49).
When Monmouth mentions Arthur’s sword, he describes it as a “wonderful” (Monmouth, 255) and “peerless sword, (…) which was forged in the Isle of Avalon” (Monmouth, 217), and no armour of his enemies “offered (…) protection capable of preventing Caliburn” (Monmouth, 255). Although Excalibur is commonly associated as the weapon of King Arthur, in Chréthien de Troyes’ Perceval: The Story of the Grail, it is Gawain who “is girt with Escalibor, the best sword ever, that cuts through iron like wood” (Chréthien, 452). The weapon surely was magnificent, but just like in The Dream of Rhonabwy, in which the sword is described as having “a design of two serpents on the golden hilt [and] when the sword was unsheathed what was seen from the mouths of the serpents was like two flames of fire” (www.britannia.com,
1. Preface: This section introduces the perennial nature of King Arthur’s legacy and the persistence of his myths across different cultures and centuries.
2. Myths And Legends: This chapter investigates the development of iconic symbols including the sword Excalibur, the quest for the Holy Grail, the mystery of Avalon, and the historical connections to Tintagel and Glastonbury.
3. The Role Of Women: This chapter analyzes the interplay of romance, adultery, and subtle female power, focusing on the characterization of Guinevere and other prominent figures.
4. Magical Friends And Foes: This chapter explores the depiction of magical beings, specifically the contrasting roles of ladies like Morgan le Fay and the Lady of the Lake, and the evolving persona of the wizard Merlin.
5. Movie Adaptations and Their Role-Models: This final analytical chapter examines how recent films like "King Arthur", "First Knight", and "Merlin" reinterpret the classical source material.
5. Conclusion: This section synthesizes the findings, reflecting on why the Arthurian narrative continues to hold such significant cultural relevance today.
6. Bibliography: This section provides a comprehensive list of primary and secondary sources used throughout the research.
King Arthur, Arthurian Legends, Excalibur, Holy Grail, Avalon, Tintagel, Glastonbury, Guinevere, Lancelot, Morgan le Fay, Merlin, Chivalry, Literature, Movie Adaptations, Mythology
The paper explores the Arthurian legends by tracing the development of symbols, the roles of female characters, the evolution of Merlin, and how these traditions are adapted in modern cinema.
The themes include mythical development, literary character studies of women and magical beings, historical searching for Arthurian locations, and modern cinematic adaptations.
The goal is to analyze the "never-ending flow" of Arthurian stories to understand why they remain fascinating for over a millennium, from their medieval origins to current interpretations.
The study employs a literary and comparative analysis, evaluating various texts—from medieval chronicles like Geoffrey of Monmouth to modern novels and film screenplay interpretations.
The main part covers the symbolic evolution of items like Excalibur and the Grail, the dynamics of gender and power within Arthurian society, and the transformation of the figure of Merlin.
Key terms include King Arthur, Arthurian Legends, Excalibur, Holy Grail, Guinevere, Merlin, and literary adaptation.
It contrasts the "Sword in the Stone" motif, which Robert de Boron introduced, with the "Lady of the Lake" tradition, highlighting how different authors attributed magical importance to the sword or its scabbard.
The author concludes that while no single historical figure can definitively be named as King Arthur, the legends are likely inspired by various historical contenders, and the persistent belief in his potential return illustrates the timeless power of the myth.
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