Examensarbeit, 2006
77 Seiten, Note: 1,3
This academic paper explores the complex relationship between autobiography and fiction in the works of Bret Easton Ellis, focusing specifically on his later work "Lunar Park." It aims to investigate the convergence of autobiographical elements with fictional techniques in Ellis's writing, analyzing how he utilizes the subjective nature of autobiography to challenge conventional notions of genre and authorship.
The introduction examines the rise of autobiography as a literary genre and its enduring popularity in the contemporary literary landscape. It explores the reasons behind the appeal of autobiographical texts, analyzing the motivations of both writers and readers.
Chapter two delves into the life and works of Bret Easton Ellis, exploring his writing career and providing context for his later works. The chapter analyzes his distinct style, themes, and influences, highlighting key aspects of his literary output that are relevant to the main topic of this paper.
Chapter three presents a comprehensive overview of the concept of autobiography, encompassing its definition, historical development, and theoretical frameworks. It explores the inherent tensions between fact and fiction in autobiographical writing, and the difficulties of discerning "truth" in such texts. The chapter also examines different styles of autobiographical narrative, including memoirs, diaries, autofiction, and autobiographical novels.
Chapter four examines the influence of autobiography on Ellis's works, particularly in the context of his later novels. It analyzes the degree to which his writing reflects elements of his personal life and experiences, considering factors such as authenticity, verifiability, and the selection of facts.
The core themes and keywords of this work include autobiography, fiction, genre, postmodernism, Bret Easton Ellis, "Lunar Park," narrative, authorship, and the convergence of fact and fiction. The research explores the interplay of these concepts in Ellis's works, particularly his use of autobiographical elements and his challenge to traditional notions of genre and authorship.
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