Magisterarbeit, 2005
76 Seiten, Note: 2.3
This paper analyzes the depiction of Black women's subjugation and resistance in the novels of Toni Morrison and Maryse Condé, focusing on the forms of oppression they faced and their responses. It contrasts their experiences during and after slavery, highlighting the enduring nature of racism and sexism. The study uses Beloved and Sula by Morrison and I, Tituba, Black Witch of Salem by Condé to trace these experiences across different historical periods.
1.0 Introduction: This introductory chapter sets the stage for the analysis by outlining the paper's central focus: the portrayal of Black women's subjugation and resistance in the selected novels. It establishes the historical context, emphasizing the inhumane conditions of slavery and the persistence of racism and sexism beyond its abolition. The chapter highlights the chosen novels – Beloved and Sula by Toni Morrison, and I, Tituba, Black Witch of Salem by Maryse Condé – as representative examples illustrating diverse forms and intensities of oppression across different periods. It explains the rationale for selecting these specific novels and justifies the comparative analysis across different historical timelines (17th, 19th, and 20th centuries), arguing that this approach allows for a comprehensive understanding of the similarities and changes in Black women's experiences. Finally, the chapter briefly addresses the complexities of analyzing Black men's experiences alongside Black women's, acknowledging the common ground while emphasizing the unique aspects of female subjugation and its intersection with race.
2.0 Subjugation and Resistance of Black Women: Forms of Oppression and their Consequences as depicted in the Novels: This chapter delves into the multifaceted ways Black women experienced oppression and their diverse responses. It explores the paradoxical relationship between subjugation and resistance, acknowledging that oppressive systems often engender resistance as a natural consequence. The chapter will analyze the varied forms resistance took, differentiating between conscious and unconscious acts of defiance. It will focus on how the female characters navigate a landscape of systemic subjugation, offering a nuanced understanding of their survival strategies and challenges.
3.0 Sources of Strength and Motives for Black Women's Resistance in the Novels: This chapter investigates the sources of strength that enabled Black women to resist oppression and the motivations behind their actions. It explores the significance of love and interpersonal relationships, analyzing the roles of romantic partnerships and, crucially, female friendships and solidarity. Further, it examines the influence of African culture, traditions, religion, and the supernatural on their resilience and resistance strategies. The role of the Black community, along with its ambivalent nature in relation to the experiences of the women featured in the novels, will also be considered, highlighting how community dynamics both supported and challenged their efforts.
4.0 Morrison's and Condé's Women's Subjugation and Resistance and the Correlation between Present and Past with Regard to Collective Suffering, Memory and Responsibility: This chapter will analyze the connections between the past and present experiences of Black women, focusing on the enduring impact of collective suffering, memory, and responsibility. It will explore how the historical oppression continues to shape their lives and how the narratives in the novels offer insights into the long-term consequences of slavery and its legacy. The chapter will likely examine the intergenerational transmission of trauma and the ways in which the characters grapple with the past's influence on their present realities.
Black women, subjugation, resistance, slavery, racism, sexism, Toni Morrison, Maryse Condé, Beloved, Sula, I, Tituba, Black Witch of Salem, oppression, African culture, identity, community, memory, trauma, historical fiction.
This paper analyzes how Black women's subjugation and resistance are depicted in the novels of Toni Morrison and Maryse Condé. It examines the forms of oppression they faced and their responses, contrasting their experiences during and after slavery, and highlighting the enduring impact of racism and sexism.
The study uses three novels: Toni Morrison's Beloved and Sula, and Maryse Condé's I, Tituba, Black Witch of Salem. These novels are chosen to represent diverse forms and intensities of oppression across different historical periods (17th, 19th, and 20th centuries).
Key themes include the forms and consequences of oppression faced by Black women; the various forms of resistance they employed; the role of love, friendship, and community in providing strength and resilience; the influence of African culture and traditions on their resistance; and the lasting impact of historical trauma and collective memory on their lives.
The paper is structured into four chapters. Chapter 1 introduces the topic and the chosen novels. Chapter 2 analyzes the forms of oppression and resistance depicted in the novels. Chapter 3 explores the sources of strength and motivation for Black women's resistance. Chapter 4 examines the correlation between past and present experiences, focusing on collective suffering, memory, and responsibility.
The paper examines various forms of oppression, including the historical subjugation and resistance in fiction; the uprooting, misapprehension, and slavery experienced by characters; the triple burden of being Black, female, and enslaved; the challenges of self-love versus dehumanization; the problem of overcoming the past; and the portrayal of motherhood in slavery.
The paper explores both conscious and unconscious acts of resistance. It examines how the female characters navigate systemic subjugation, analyzing their survival strategies and challenges. The importance of love, female friendships, African culture, traditions, religion, and the supernatural as sources of strength and motivation for resistance are also discussed.
The chosen novels are significant because they offer diverse perspectives on Black women's experiences across different historical periods. By comparing and contrasting these narratives, the paper aims to provide a comprehensive understanding of the similarities and changes in Black women's experiences of subjugation and resistance.
The concluding chapter is likely to analyze the enduring impact of collective suffering, memory, and responsibility on the lives of Black women. It will likely explore how historical oppression continues to shape their lives and how the narratives in the novels offer insights into the long-term consequences of slavery and its legacy.
Keywords include: Black women, subjugation, resistance, slavery, racism, sexism, Toni Morrison, Maryse Condé, Beloved, Sula, I, Tituba, Black Witch of Salem, oppression, African culture, identity, community, memory, trauma, historical fiction.
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