Man/Machine Interaction in the Work of Stanley Kubrick

Inhaltsverzeichnis (Table of Contents)

• Introduction – Kubrick and the Machine
• The Cultural Machine
  • The Dualism of Order and Chaos
    • Order
      • 2001 – A Struggle for Existence?
      • Closed Circuits
      • Communication as an End in Itself
      • System, Plan, Machine
      • The Age of Reason
      • Society as Theater
    • Chaos
      • What is Your Major Malfunction, Numbnuts?
    • The Psychoanalytic Machine
      • The Duality of Man
      • Reboot Camp
      • The Marine Symbolic
      • Male Machinic Fantasy
      • The Cinematic Apparatus
        • The Eye and the Gaze
  • Becoming Machine
    • The Wedding Dance of the Machines
    • Full Metal Machine
      • The Marine Corps
      • The Lusthog Squad
    • Desire Machines and Schizoanalysis
    • The World as Brain

  Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)

  This paper explores the relationship between man and machine in the films of Stanley Kubrick, linking the director’s work to various theoretical models that also deal with this complex topic. By examining the films in light of sociological, philosophical and psychoanalytic approaches, the paper aims to demonstrate how the discourse on man-machine interaction has changed over time. The analysis focuses on Kubrick’s depiction of a ‘cultural machine’ and the inherent dualism of order and chaos, exploring themes such as communication, human aggression, and the formation of the subject.

  • The evolution of man-machine interaction and its cultural implications.
  • The role of technology in shaping society and the individual.
  • The tension between order and chaos in human behavior and cultural structures.
  • The impact of psychoanalysis and schizoanalysis on understanding human desire and the symbolic order.
  • The interaction between the human subject and the cinematic apparatus.

  Zusammenfassung der Kapitel (Chapter Summaries)

  Chapter II examines the concept of a ‘cultural machine’ in Kubrick’s films, focusing on the interplay of order and chaos. It explores how technology influences mankind, analyzing the roles of communication, systematization, and rationality. This chapter also introduces key themes from psychoanalysis and connects them to Kubrick’s exploration of human drives and the symbolic order.

  Chapter III shifts the focus to more contemporary philosophical currents that challenge traditional dualistic notions. It analyzes Kubrick’s work through the lens of Deleuze, Maturana, and the academic gender discourse, exploring concepts such as becoming-machine, the body without organs, and the war machine.

  Schlüsselwörter (Keywords)

  The main keywords and focus topics of this paper include man/machine interaction, cultural machine, order and chaos, communication, psychoanalysis, schizoanalysis, desiring-machines, the body without organs, the war machine, and the cinematic apparatus.