Wissenschaftlicher Aufsatz, 1997
30 Seiten
This paper aims to explore the emerging genre of interactive fiction, examining its potential and limitations. It investigates the relationship between interactive fiction and other forms of hypermedia, and explores how this new genre challenges traditional notions of authorship, narrative structure, and reader engagement.
Key concepts explored in this work include interactive fiction, hyperfiction, hypermedia, narrative structure, reader engagement, authorship, non-linearity, and the impact of technology on literature.
Interactive fiction is a literary genre where the reader actively participates in the story, often choosing paths or making decisions that change the narrative outcome.
It transforms the reader from a passive observer into a co-author. The experience becomes non-linear and highly personal, as each reader can discover a different version of the story.
Yes, precursors can be found in experimental theater, "choose your own adventure" books, and avant-garde films that explored alternative endings or audience participation.
The main challenge is maintaining literary quality while managing heterogeneous input and the potential "willfulness" of readers, which can sometimes disrupt the narrative coherence.
While still emerging, it is increasingly recognized for its unique ability to blend technology with storytelling, though its validity as high literature is still a subject of academic debate.
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