On the relationship of comparative literature to 'Strata Poetics' and 'Fundamental Poetics'

Inhaltsverzeichnis (Table of Contents)

• Abstract
• Comparative Literature in Need of a Unifying Theory
• Constants are Indispensable for Comparison
• Literary Genres Are Such Constants
• Comparative Literature Employs Meta-Criticism
• The Historical and the Systematical Approach Towards Genre-Studies
• The English, French, and German Attitude Towards Genre-Classifications
• \"Fundamental Poetics\"
• Criticism of \"Fundamental Poetics\"
• A Proposed Order for Generic Terms....
• Connection Between \"Basic Attitudes\" and Linguistic Features
• \"Fundamental Poetics\" and \"Strata Poetics\"
• Analogy Between the Aims of Comparative Literature and Structural Linguistics
• ANNOTATIONS

Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)

This article examines the fundamental assumptions of various literary disciplines, including Comparative Literature, "Strata Poetics," and "Fundamental Poetics," highlighting their shared interests and outlining a unifying theory for Comparative Literature. The author argues that a comprehensive theory of Comparative Literature requires establishing order within the categories of genre poetics, particularly through the lens of literary genres as constants for comparison. The piece further explores the development of genre poetics from a normative to a descriptive approach, examining its evolution in various historical and sociological contexts.

• The need for a unifying theory in Comparative Literature
• The role of literary genres as constants for comparison
• The historical and systematical approaches to genre-studies
• The influence of "Fundamental Poetics" and "Strata Poetics" on genre classification
• The connection between "Basic Attitudes" and linguistic features in literary analysis

Zusammenfassung der Kapitel (Chapter Summaries)

• Abstract: This section presents the key arguments of the article, emphasizing the need for a unifying theory in Comparative Literature and the importance of genre poetics for achieving this goal.
• Comparative Literature in Need of a Unifying Theory: The author discusses the ongoing search for a comprehensive theory in Comparative Literature, highlighting the need for a framework that encompasses both genre studies and the "mutual elucidation of the arts."
• Constants are Indispensable for Comparison: This section introduces the concept of constants as essential elements for comparison, proposing that literary genres serve as crucial constants in Comparative Literature.
• Literary Genres Are Such Constants: The author explores the significance of literary genres as constants for comparison, emphasizing their role in analyzing the influence of specific works across language barriers.
• Comparative Literature Employs Meta-Criticism: The article defines metacriticism in contrast to intrinsic criticism and explains how Comparative Literature employs metacritical approaches, particularly in relation to the social determination of genres.
• The Historical and the Systematical Approach Towards Genre-Studies: This section examines the two primary approaches to genre-studies—historical and systematical—and their complementary nature in Comparative Literature.
• The English, French, and German Attitude Towards Genre-Classifications: The author explores the differing perspectives on genre classifications in English, French, and German literary traditions, highlighting the emphasis on systematization in the German tradition.

Schlüsselwörter (Keywords)

This article focuses on the crucial concepts of comparative literature, genre poetics, "Fundamental Poetics," and "Strata Poetics," highlighting their influence on genre classification and analysis. The text also emphasizes the role of literary genres as constants for comparison, the relationship between "Basic Attitudes" and linguistic features, and the importance of metacriticism in the field of Comparative Literature. The work explores the historical and systematical approaches to genre studies, examining the distinct perspectives of English, French, and German literary traditions.