The Berlin Cabaret & The Neue Frau 1918-1933

Inhaltsverzeichnis

• Introductory Note
• Berlin & The Weimar Woman
• The Berlin Cabaret & The Woman
  • Rosa Valetti & The Cabaret Größenwahn
  • Trude Hesterberg & Die Wilde Bühne
  • Dinah Nelken & Die Unmöglichen
  • Valeska Gert & Der Kohlkopp
• The Cabaret Song & The Woman
• Dance In The Cabaret & The Woman
• Anita Berber
• Epilogue: 2001

Zielsetzung und Themenschwerpunkte

The essay explores the relationship between the Neue Frau (New Woman) and the Berlin Cabaret of the Weimar Republic. It examines the myth of the Neue Frau and the actual new woman of the time, as well as the role of women in the Berlin cabaret scene.

• The myth of the Neue Frau and its portrayal in the Weimar period
• The impact of the Berlin Cabaret on the image and identity of the Neue Frau
• The roles of prominent female figures in the Berlin Cabaret
• The representation of the Neue Frau in cabaret songs and dance
• The evolution of the German cabaret scene in the 21st century

Zusammenfassung der Kapitel

The first chapter examines the myth of the Neue Frau and its portrayal in the Weimar Republic. The second chapter focuses on the Berlin Cabaret, examining the scene itself and the roles of prominent female figures such as Rosa Valetti, Trude Hesterberg, Dinah Nelken, and Valeska Gert. The third chapter explores the representation of the Neue Frau in cabaret songs and dance, and the final chapter provides a brief overview of the contemporary German cabaret scene.

Schlüsselwörter

The main keywords and focus topics of the text include the Neue Frau, the Berlin Cabaret, Weimar Republic, cabaret culture, female performers, gender roles, music, dance, and the evolution of cabaret.