Bachelorarbeit, 2006
30 Seiten, Note: 1,3
1 Introduction
2 Chapter 1
2. 1 Autobiographical Elements in Poe’s Works
3 Chapter 2
3. 1 Poe’s Interest in Human Personality In his Writings
3. 2 Rational Poe
4 Chapter 3
4. 1 ‘‘The Black Cat” and ‘‘The Tell-Tale Heart”
5 Conclusions
6 Summary
7 Bibliography
This work explores the profound fascination Edgar Allan Poe held for the human mind, particularly its morbid states, inner conflicts, and psychological disintegration. It examines the correlation between Poe's turbulent life experiences, his artistic output, and his portrayal of mental aberrations in his most famous short stories.
3. 1 Poe’s Interest in Human Personality in his writings
It seems plausible that there is a direct connection between Poe’s role as a writer of psychological insight and the author’s fascination with psychology, according to which the man is made of three separate and at the same time interacting elements - body, mind and spirit. In a normal, healthy human being these three elements are in balance. Yet, in case of any mental disorder, a disintegration of body, mind and soul takes place. E.A. Poe’s aim was to illustrate the separation of these three aspects on the example of his characters’ mental aberrations.
As for the American writer’s interest in the mental sphere of human experiences, Lyra claims that Edgar A. Poe was not familiar with such concepts as “masochism”, “sadism” or “death instinct” as they were not yet defined at that time. However, he perceived and understood these phenomena. Since Poe was the genuine artist, he was more absorbed in weird and extraordinary matters than in commonly known ones. Hence, most of his protagonists have pathological behaviour.
As Lyra writes, according to Poe’s narrators’ theory, madness sharpens the senses. What is more, the reader doubts whether the experiences of the insane character are genuine. In like manner, E.A. Poe fulfilled one of his chief poetic postulates - he introduced mystery into literature.
With reference to the above-mentioned psychology of the tripartite organization and functioning of the man, Fletcher quotes Davidson who states that: “[Poe’s protagonist] is compulsively driven toward death because, if life is the condition of fatal separation of the human body, mind, and spirit, death or whatever afterlife there may be, is the unification of these faculties.” [Davidson in Fletcher 1973:161]
1 Introduction: This chapter contextualizes Poe's position in literature, highlighting the divide between his French reception and American criticism while establishing his preoccupation with the human mind.
2 Chapter 1: This section investigates the presence of autobiographical elements in Poe's work, examining how his life, personal tragedies, and relationships with women shaped his creative output.
3 Chapter 2: This chapter analyzes Poe’s portrayal of human personality, focusing on the disintegration of body and mind in his characters and the rise of his "tales of rationalization."
4 Chapter 3: The final chapter provides a deep-dive analysis of "The Black Cat" and "The Tell-Tale Heart," focusing on psychological mechanisms like perversity, alcoholism, and guilt.
5 Conclusions: The concluding section summarizes Poe’s role as a pioneer of psychological fiction and his enduring legacy in establishing a "dark tradition" in American literature.
6 Summary: This section offers a retrospective overview of the study's aims and thematic investigations.
7 Bibliography: This chapter lists the primary literary sources and secondary academic references used throughout the study.
Edgar Allan Poe, Human Mind, Psychological Insight, Perversity, Mental Disorders, Autobiographical Elements, Gothic Literature, Rationalization, Split Personality, The Black Cat, The Tell-Tale Heart, Literary Criticism, Sadism, Hallucination, Dark Tradition.
This study focuses on Edgar Allan Poe’s recurring obsession with the human mind and its morbid states as reflected in his literature.
The work examines the interplay between Poe’s life experiences, his interest in human personality, the pathology of alcoholism, and the manifestation of irrational impulses in his characters.
The study seeks to analyze how Edgar Allan Poe utilized elements of human psyche and mental aberration to pioneer psychological fiction within American literature.
The author employs a literary-analytical approach, contrasting Poe’s work with contemporary perspectives and utilizing psycho-analytical interpretations to dissect the narrators' behaviors.
The main body covers the autobiographical roots of Poe’s fiction, his interest in the tripartite structure of the human psyche (body, mind, spirit), his rationalization tales, and specific crime stories.
Keywords include Edgar Allan Poe, psychological insight, mental disorders, perversity, dark tradition, and the analysis of the subconscious mind.
The paper interprets the "vulture eye" as an object of obsession for the narrator, representing a perceived evil or an intellect superior to his own, rather than a physical threat.
It is analyzed as an uncontrollable, primitive human impulse that drives characters to commit heinous acts against their own better judgment, leading to their inevitable downfall.
The work balances the notion that Poe's personal suffering and alcoholism informed his writing, while cautioning against reducing his complex, artistic characters to mere mirrors of his personal habits.
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