Examensarbeit, 2007
79 Seiten, Note: 2,0
This paper analyzes the construction of femininity and masculinity in Shakespeare's Macbeth, examining how Shakespeare portrays gender roles within the context of the play's destruction and restoration of order. The study investigates the historical concepts used to shape male and female characters, explores whether "typical" gender roles are presented, and considers the consequences of gender boundary crossings. Special attention is given to the Macbeth and Lady Macbeth's marriage and its connection to regicide.
The Sources of the Play: This chapter discusses the origins of Macbeth, highlighting its likely first performance in 1606 for King James I. It explores Shakespeare's use of Raphael Holinshed's Chronicles as a source, emphasizing the adaptation and augmentation of the original material to create a compelling plot focused on regicide and its consequences. Shakespeare's alterations are analyzed in terms of their dramatic, thematic, and political purposes, particularly in relation to James I's preferences and beliefs. The chapter explains how Shakespeare streamlined the narrative, focusing on regicide and minimizing aspects like Macbeth's years of rule, ultimately creating a concise and impactful play.
Masculinity in Shakespeare's Macbeth: This section delves into the masculine world of chivalry within the play, establishing the framework for understanding the male characters as chivalrous knights serving King Duncan. It examines the values and codes of chivalry as crucial for interpreting their actions and motivations. The chapter likely explores the characters of Macbeth, Banquo, Macduff, and Malcolm within this chivalric context, tracing their development and analyzing their adherence to, or deviation from, chivalric ideals, potentially focusing on how these ideals are challenged and ultimately redefined throughout the play.
Femininity in Shakespeare's Macbeth: This section shifts the focus to femininity, analyzing the portrayal of women within the play's Elizabethan context. It likely explores the roles of Lady Macbeth, Lady Macduff, and the Witches, examining how their actions and characteristics challenge or reinforce prevailing societal expectations. The chapter likely contrasts the different depictions of femininity, highlighting the complexities and contradictions inherent in the women's roles within the play's narrative of power, ambition, and morality. The analysis probably explores how Shakespeare uses these female figures to comment on the social and political dynamics of his time.
Shakespeare, Macbeth, gender, masculinity, femininity, chivalry, regicide, political order, moral order, Elizabethan era, gender roles, marital relationships, witches, Scotland.
This document provides a comprehensive overview of a scholarly analysis of gender roles in Shakespeare's Macbeth. It includes a table of contents, objectives and key themes, chapter summaries, and keywords.
The analysis focuses on the construction of masculinity and femininity within the play. It examines how Shakespeare portrays gender roles in relation to the play's themes of destruction and restoration of order, exploring historical concepts of gender, typical versus atypical gender roles, and the consequences of gender boundary crossings. The analysis pays particular attention to Macbeth and Lady Macbeth's marriage and its connection to regicide.
Key themes include the impact of historical concepts on gender portrayal, the depiction of typical and atypical gender roles, the consequences of blurring gender lines, the role of gender in restoring political and moral order, and the relationship between Macbeth and Lady Macbeth and its connection to their actions.
The analysis includes chapters on the sources of the play (exploring Shakespeare's use of Holinshed's Chronicles and its adaptation for dramatic and political purposes), masculinity in Macbeth (examining chivalry and the male characters within a chivalric context), and femininity in Macbeth (analyzing the portrayal of women like Lady Macbeth, Lady Macduff, and the Witches within the Elizabethan context).
The analysis examines masculinity through the lens of chivalry, exploring the values and codes of chivalry as they relate to the male characters (Macbeth, Banquo, Macduff, and Malcolm). It traces their development and analyzes their adherence to or deviation from chivalric ideals.
The analysis of femininity explores the portrayal of women in the Elizabethan context, focusing on Lady Macbeth, Lady Macduff, and the Witches. It examines how their actions and characteristics challenge or reinforce societal expectations, highlighting complexities and contradictions within their roles in the play's narrative.
The primary source is Shakespeare's Macbeth. Raphael Holinshed's Chronicles are cited as a significant source material for the play itself.
Key words include Shakespeare, Macbeth, gender, masculinity, femininity, chivalry, regicide, political order, moral order, Elizabethan era, gender roles, marital relationships, witches, and Scotland.
The preview doesn't explicitly state the overall conclusion, but it implies the analysis will offer insights into how Shakespeare constructs gender roles in Macbeth and how these roles relate to the play's themes of power, ambition, and the restoration of order.
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