Magisterarbeit, 2006
85 Seiten, Note: 2,0
This paper aims to analyze three contemporary British fiction works that appropriate elements of Jane Austen’s Pride and Prejudice. The analysis focuses on the transformation of the original novel’s themes and characters in these adaptations and their reception within the context of contemporary literature.
The first chapter introduces the concept of "discursivity" and how Jane Austen's work has inspired a wide range of literary adaptations. It also sets the stage for the analysis by outlining the core themes and narrative structure of Pride and Prejudice, as well as the key characteristics of the three contemporary novels chosen for examination.
The second chapter focuses on the literary status quo, exploring the reception of Austen's work in the nineteenth and twentieth centuries and the context for contemporary adaptations.
The third chapter examines the structural, stylistic, and narrative techniques employed by Austen and the three contemporary authors. It explores how they use literary devices to create specific effects and engage the reader.
The fourth chapter provides a detailed analysis of key characters and their relationships, focusing on how Austen's original characters and their relationships are transformed in the contemporary adaptations.
The fifth chapter delves into the significance of status and social class in the narratives, exploring how these concepts contribute to the characters' decisions and the unfolding of the plot.
The main keywords and focus topics include Jane Austen, Pride and Prejudice, contemporary British fiction, adaptation, gender, social norms, literary legacy, status, social class, humor, satire, and the contemporary adaptations of Pride and Prejudice: Lions and Liquorice, Bridget Jones's Diary, and Pride, Prejudice and Jasmin Field.
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