Masterarbeit, 2007
106 Seiten, Note: 1
1. Introduction: This chapter introduces the thesis's central question: Are there differences in the portrayal of gender roles between Hollywood and Italian Westerns? It begins by quoting Sergio Leone's criticism of the stereotypical female roles in Hollywood Westerns, setting the stage for a comparative analysis. The introduction also establishes the importance of studying gender representation in film, highlighting its role in socialization and identity construction. The chapter emphasizes the lack of existing research comparing gender depictions across these two distinct Western subgenres, thereby justifying the present study.
2. Literature part: This section provides a comprehensive review of existing literature relevant to the thesis. It covers various aspects, including introductory notes on gender studies, feminist film theory, the "male gaze," and the Western genre's traditional gender roles. Subsections delve into the unique characteristics of the American and Italian Westerns, examining their cultural contexts and visual styles. The literature review also touches upon the intersection of gender, nation, and the Western genre, establishing a theoretical framework for the subsequent empirical analysis.
3. Method Part: This chapter details the methodology employed in the thesis. It outlines the approach to film analysis, explaining the methods used to systematically examine the selected films. The chapter also describes the sampling strategy, justifying the chosen films as representative of the two genres. Finally, it provides a critical assessment of the methodology's strengths and limitations, acknowledging potential biases or constraints.
4. Empirical Part: This chapter presents the empirical findings of the study, comparing the representation of gender roles in the chosen Hollywood and Spaghetti Westerns. It analyzes individual films within each category before presenting a comparative analysis, highlighting similarities and differences in the portrayal of male and female characters. This section forms the core of the thesis, providing concrete examples and evidence to support the study's arguments.
Gender roles, Hollywood Westerns, Spaghetti Westerns, film analysis, feminist film theory, male gaze, cultural studies, national identity, gender representation, comparative analysis, socialization, media effects.
This thesis conducts a comparative analysis of gender roles as depicted in Hollywood Westerns and Italian Spaghetti Westerns. It investigates whether significant differences exist between the two genres and explores the reasons for any discrepancies.
The key themes include a comparison of gender roles in both genres; analysis of female representation; examination of cultural and genre influences on gender portrayal; the impact of the Western genre on national identity construction; and the role of film in socializing gender norms.
The table of contents provides a structured overview of the thesis, encompassing an introduction, a literature review (including sections on gender studies, feminist film theory, and the specific characteristics of Hollywood and Italian Westerns), a methodology section, an empirical section analyzing specific films from both genres (including The Man Who Shot Liberty Valance, El Dorado, For a Fistful of Dollars, etc.), a conclusion, and a bibliography and filmography.
The thesis employs film analysis to systematically examine the selected films. The sampling strategy focuses on films representative of both Hollywood and Spaghetti Western genres. The methodology section includes a critique of its strengths and limitations.
The empirical part analyzes several key films from both genres. Hollywood Westerns include The Man Who Shot Liberty Valance, El Dorado, The Professionals, and The War Wagon. Spaghetti Westerns analyzed include For a Fistful of Dollars, The Big Gundown, A Bullet for the General, and Once Upon a Time in the West.
The literature review provides a comprehensive background on gender studies, feminist film theory, the "male gaze," and the traditional gender roles within the Western genre. It specifically examines the unique cultural contexts and visual styles of American and Italian Westerns, establishing a theoretical framework for the empirical analysis.
The conclusion summarizes the findings of the comparative analysis, highlighting the similarities and differences in the portrayal of male and female characters in Hollywood and Spaghetti Westerns. It likely offers insights into the cultural and genre influences shaping gender representation in these films.
Keywords include gender roles, Hollywood Westerns, Spaghetti Westerns, film analysis, feminist film theory, male gaze, cultural studies, national identity, gender representation, comparative analysis, socialization, and media effects.
The overarching objective is to compare and contrast the depiction of gender roles in Hollywood and Italian Westerns, identifying significant differences and exploring their underlying causes. This contributes to a deeper understanding of how gender is constructed and represented within specific film genres and cultural contexts.
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